I managed to see a preview of Prince Caspian at the movies on Friday May 9, as a member of the press. Having read the Narnia books as a young boy, I was reasonably familiar with the story and expected a swash-buckling effects-laden experience. I was not disappointed. Here’s the trailer.
Filming was shot by NZ director/producer Andrew Adamson, whose earlier work includes Shrek I, 2 and 3, and The Lion, the Witch and the Wardrobe. Familiar NZ scenes for me were the Dart River near Glenorchy (I spent a week walking through there in 1991) and Cathedral Cove on the Coromandel Peninsula (I spent Christmas there in 1982). Studio shots were filmed in Barrandov Studios, Prague, Czech Republic. Other scenes were filmed in Slovenia and Poland.
As Trumpkin says, “You may find Narnia a more savage place than you remember”. Adamson takes the stories of battle hinted at by C.S. Lewis and brings them to the foreground. People and creatures die, though without any clear bloodshed. This is a family movie after all. A whole new sequence is added to the plot - the storming of the Telmarine castle. Battle scenes are provided with elaborate plot twists.
In the book the Pevensies (Peter, Susan, Edmund and Lucy) connect up with the Narnians towards the end. For the sake of dramatic interplay between the characters (including tension between Peter and Caspian) that meeting is introduced much earlier.
Adamson brings the story into the 21st century with an alternative to the C.S. Lewis sheltering of the female gender. Susan is clearly engaged in battle in the movie and enjoys a romantic attraction to Caspian. “It would never have worked out”, she says.
There are subtle flavours added by the casting team. Caspian, Miraz and the other Telmarines speak with Hispanic accents, a reference to their pirate origins. The centaurs appear to have an African origin. It makes good sense in terms of increasing the ethnic spread of the audience, but runs the risk of perpetuating the English jingoism that formed the backdrop of C.S. Lewis’ world.
My favourite character would have to be Trumpkin, played by Peter Dinklage. This dwarf has a deeply cynical, humorous and yet reflective character that appears to have been developed through years of patient long suffering.
The theology of this C.S. Lewis novel is subtle, with hints of questions relating to the absence and invisible nature of Jesus. Why can some see him and others not? Would the plot have been different if Lucy and her siblings had responded to Aslan’s guidance earlier? Aslan twice reminds Lucy that things don’t happen the same way twice, once in a dream sequence and once in waking mode. Was that a glitch in the script or an example of dramatic irony?
Be prepared for a long movie with stunning cinematography, simmering effects and a storyline that will keep you guessing.
The Chronicles of Narnia: Prince Caspian, will be released in cinemas nationally in Australia on June 5. Heritage HM will also be delivering a range of resources to churches and schools Australia wide. For details contact 07 5445 6865 or email info at astounded.tv.
I’ve just heard (via Stephen at Prodigal Kiwi) that Mike Riddell’s 1997 book, The Insatiable Moon, is being developed as a feature film. In fact the film proposal is being taken to Cannes Film Festival this week.
The book (and now screen play) focuses on Arthur, a Maori man who is known to the residents of Ponsonby, Auckland, New Zealand, as the self-proclaimed second son of God. Arthur has a mission, which includes finding the Queen of Heaven (who turns out to be Margaret of Pakuranga). He interacts with the local vicar, a few homeless people and people living in the boarding houses of Ponsonby, to challenge the status quo of respectable society.
Mike, when he wrote the novel, was lecturer at the Baptist College of New Zealand in Auckland, a role he’d taken on after years pastoring at Ponsonby Baptist. Mike resigned and moved to Dunedin, knowing that many Baptists would have trouble with the gloriously graphic sex scene in the novel, let alone the ‘blasphemous’ exploration of a psychiatric patient’s claims to be the second son of God.
Arthur will be played by Rawiri Paratene , known around the world for his role as Koro in Whale Rider. I remember Rawiri’s poetry performances (with jazz pianist Mike Nock) from his time in Dunedin when he was Robert Burns Fellow at Otago University. Rawiri is likely to be joined by Timothy Spall, James Nesbitt and John Rhys-Davies.
Doctor Who is being featured in a worship service held in Cardiff on Sunday September 23, near the site of the fictional rift in time. Worshippers are being invited to compare a Time Lord with the Lord of Time during a eucharistic service.
Taste is a new cafe style worship experience for young people in Cardiff, part of the Anglican-sponsored Enter the Mystery experience. Teenagers and young people in their early 20s are being targeted for the “cafe-style” Communion service, with music and video clips from the hit series, at St Paul’s Church in Grangetown, Cardiff.
The Anglican church was used as a location two years ago for the Father’s Day episode of the first series, in which a giant reaper creature attacked wedding guests at the church.
Fr Dean Atkins, youth officer with the Diocese of Llandaff and one of the organisers of the service, said: “The figure of Doctor Who is somebody who comes to save the world, almost a Messiah figure. In the series there are lots of references to salvation and the doctor being almost immortal. We are using the figure of Doctor Who as a parable of Christ. The language used in the series lends itself to exploring the Christian faith.”
He added: “Christ is a kind of cosmic figure as well if you like, somebody who does not travel through time but all eternity is found in him. He is a kind of encapsulation of the beginning and the end, in fact he existed before time began and he will exist when time ends.”
Parish priest Fr Ben Andrews said: “I love the series, and it has such a great following that we couldn’t resist doing something for young people on a Doctor Who theme. Lots of people think that young people are the future of the Church. This kind of event will show they are part of the church of the present and have an important part to play in its future. We are building on the past but always looking forward.”
See the story on the BBC site, including a streamed interview with Dean Atkins.
